Look for you in every crowd

Words betray only the barest threads of love

“A mother for a child”

You must know I always

Wanted to keep the possessive

Pronoun “mine”

In our relationship

They took that from us

Let me see how

These tiny seeds of faith

Could move mountains 

Losing sight of light to find it

Time makes

Trees from seeds/

Holes in the arms of love

I look for your face in every crowd

And the pictures you post to the world

Of a baby I once held 

So dear, beautiful girl

So always, always dear

strong drink

when the King arises

He runs to us

These words, weapons, shields

Tokens of splendor 

Silver refined in the crucible

(For what is crucible but a fancy word for Cross?)

Gold fired seven

Times this burning

Brighter than the sun

Distill this ghost of a man

Standing close to a lone Word

Strong enough

To call him from the grave

Back to life

Swaddling Clothes

I have a friend who fights.  She has brightly colored hand wraps that she uses to protect her hands beneath her boxing gloves.

She bandages each hand so that the knuckle is protected, the wrist and all the space in between.

When I have watched her wrap and unwrap her hands it has reminded me of Jesus.

I think of him as a baby. In the primitive conditions of his arrival, the Bible records his swaddling–wrapped in swaddling clothes, laid in a manger.  

Descriptions of ancient infant swaddling talk about cleaning the newborn with oil and salt, then wrapping the child in strips of torn cloth.

Lazarus was swaddled when he emerged from his tomb.

The ancients swaddled their newborns and their dead, wrapping both in the same strips of cloth, washing each for the journey ahead.

The story of Jesus’ anointing at Bethany bears striking resemblance to his washing as a newborn and is a stated preparation for the soon-to-be swaddling of his dead body.

Three days is a long time to wait for a resurrection, four days is even longer.  But for many of us 20, 30, or 40 years is how long we have waited for our dead to rise to life.

And if eternity is the span of human existence, then it is also the length of time we must measure each human soul, inside or outside our dark and solitary tombs.

To believe in the resurrection of the dead is to believe in the extreme triumph of Life over death, heaven over hell, good over bad.

To stand at the mouth of the tomb and know that someday each of us will be called to walk out of our tombs into Light.

We are fire

I see him addressing

An undiluted crowd–

You are the light of the world

We are? 

Sheep, maybe

Or chicken (I know my coward heart)

But surely not light

Too strong, too bright, too burning

We must burn on

This Mount of Olives

This Garden of Gethesmane 

This history and geography of light poured out in the crushing weight

Upon olives rendering

Oil and salt rubbed on the skin of the newborn child

Anointing a king

The King

Of light

Who holds

Each burning 

Coil of a star,

The core of fire within each churning planet

Our ordinary souls

In the palms of his stretched-wide 

Hands

Unfaithful

Dante, in his fictional portrayal of hell, put traitors at its dark, tortured core.

To betray love and abandon those close to you was a big deal for Dante.

As a writer, that is…as a man he was no hero.

Few of us are.  We are all unfaithful to someone or something–our high school crush, our diet…something.

To be human is to cheat a little, I guess. But we must acknowledge this–we, each of us alone are responsible for the lines we draw around what we hold dear. 

Draw the lines wrong and the “dear” slips away.

We tell ourselves–I will not go past this point of demarcation–a line drawn just past a “something” we should already not covet or consume.

We say to ourselves either–

I will not do this

Or…

I deserve…

It is the “I deserve” part we should pause to examine.  Sinners (a quaint old word for all of us) tend to justify their infidelities with deserve and must have.  Then cloak the indulgence in the illusion of secrecy–no one will know.

But Someone always knows.

He knows because He is God, and by definition omniscient.

He knows all our secret stories of unfaithfulness, squalor, and sin because they were poured out on Him 

In the rictus of the Cross

In the jeers of the crowd

In the agony of physical abuse

In the final unbearable…

In the final unbearable He bore to make us 

Faithful.

“Completely Legal”

when discussing

Atrocity

I find that it is best to begin

With scenes (at least a single scene)

Of domestic tranquility–

A sister reads a children’s story to her little brothers who have memorized the words.  They punctuate the story with lines of dialogue and laughter…

Because

If you do not see them–real

Alive

Vivid

Indelible

Then you won’t understand the tragedy when they go missing

Completely legally, of course

The voices in support of holocaust of one sort or another are always quick to point out

Everything they did to destroy the wee ones was completely legal

–The stripping of their rights

–The dehumanizing monikers

–The methodical pillaging of their history, family, identity

–The medical framing of their naked deaths

–The sanitized commodity of their skin, blood, stems, and cells

–The clinics where they do their tinkering

Piecemeal

Tiny pieces

–All government sanctioned

–Legal to trade in and cultivate small

Parts

Tell me again

How

Piles of skin and hair and blood

Can be so..

Bought and sold.

Where was the conference room? In what hotel?

They served a light

Lunch/over the topic

How to separate the spine of a…

living soul

The way a man would gut a fish

Hae Min Lee

Like millions of other listeners, I have become deeply entrenched in Serial, an episodic treatment of the murder of Hae Min Lee in 1999.

The podcasts are mostly riveting and leave the listener grasping for answers.

But some things demand to be confronted emotionally, not just in the clinical language of forensics, but in the enduring vortex of loss and grief.

I have hunted for archival traces Hae Min Lee–glimpses of the girl from before her life taken and then reduced to jurisprudential conjecture.

Who was Hae Min Lee to those who loved her? A picture, a memorial–something. I found this– a piece on her memorial.

She played lacrosse…

left a grieving family…

…a family whose grief is indicated mostly by their present silence. Surely they would be appalled by the surgical reduction of this vivid girl to…a piece of evidence not properly disposed of.

I keep returning to the snowstorm; days her family must have spent hoping and praying for her safe return.

When she could not.

Would not.

Ever.

Because she had been rendered helpless, cold, and alone in the shallow grave, in the silence of falling snow.

It seems to me American justice requires a return to that quiet wood and all the things that were stolen from Hae Min Lee.

Perhaps we are all too accustomed to our fictional procedurals to realize that real crime leaves empty places in the heart and a grief that never lifts or relents.

Maybe Splendor

Maybe splendor
Is a girl
Rowing her younger brother to the
Far shore

She tells him she he will be
A cowboy there
He asks her how he can be
Without a hat

She tells him
you will make one
From the twigs and branches
And leaves there

And you will have a cow you will name Horse and another named Ted or Fred, he said

Yes.
She says, and a chicken…now get your clothes and race me up the hill.

A chicken named
Get-your-clothes-and-race-me-up-the-hill,