After years of not getting it
I finally do–
You dip the ravaging
Insect into
The viscous sweet
“Honey,”
He says
“This is how you make the unpalatable work.”
–Luke 7:18-24
After years of not getting it
I finally do–
You dip the ravaging
Insect into
The viscous sweet
“Honey,”
He says
“This is how you make the unpalatable work.”
–Luke 7:18-24
The call costs five cents a minute and you have to be ready with a form of payment. On the other end of the line there is
A princess stuck in a well
Bears curled in around a wee-sleepy home invader
A girl in a badly blended family with a knack for the most inconvenient footwear
And all the rest of us-
sleeping beauties, garden-of-Gethsemane-tired
Of hearing about
This impending crucifixion.
It is a note on my phone, metonymy for bottomless loss, I call her name every day, aware that lost causes are lost causes are lost causes
How will we ever heal?
How will we be whole again?
I would ask the boy on the other side of the over-priced desk
If I had the heart to keep
Picking my battles
I call her name
Stalk the neighborhood
Take the dog
Print out sepia copies of
Her sleeping, staring pensively at the lens
Reminding of me the others
All gone missing
You look at wonder every day
For love or pay
I look for love
Every day
See the missing
You.


The home movies do not have too much plot, they are more about time
Time spent with beautiful children
Mostly grown up now
We all know how close we were
To the flood
First there was the shock-shock, which I would describe as a blanket of cotton, a fog, a zoned-out staggering thing. I am not sure how long this stage lasted, but it began to ebb when the nice women at the crisis center gave my five year old and her sisters their crime-victim quilts, hand-made, with such kindness.
The quilts underlined the permanent nature of the gift–beautiful crime victims. Undoable. Irrevocable.
Our story seemed one way for years, then just as things got safer because we knew and could protect them
The truth rolled over us, applying permanent tattoos everywhere.
I did not realize I had a thrill-seeker, risk-taker issue until the months of hunger, tears, and fighting were over…all technically either lost or a draw. Until after I wrote the book. Until after people began to disappear.
By then I had begun to walk through cold water.
Now I know why I do it. I do it because…I do it because
Because when I walk in cold water I can see you there
Through the dust
The crush of angry humans
The agony of your bedraggled well-wishers.
Your own pain indelible on your bloodied face
Dying for me
Deep
In cold water.
I miss you girl
Miss your sister
Your nieces, nephews, cousins, children
Used to sing
Break-up songs for lullabies
Wish I could write you and me
A happy kind of story instead
No lost loves, no broken promises
Hope changed into
The steady gaze of a man who can build with his own two hands
Homecoming tabernacle
For all us, broken

This box signifies something to me–six months of sorrow, but more than that the Man who sets us all free
Stones
Impossible stones
Rolled away.
For a few hours the whole round world is covered by the bluest light, silvery metallic, countless drops
light all around us