Of course, neither of us chew
scoop cold water to our waiting lips
In the congregation of those
Waiting for bright sunlight
Resurrection
Of course, neither of us chew
scoop cold water to our waiting lips
In the congregation of those
Waiting for bright sunlight
Resurrection
He moves up the wall quickly, ascending over three thousand vertical feet in a little over 3 hours. We all marvel at him, as well we should, that kind of hubris and fearlessness is an altar to the human spirit
Who fails to see the God who held him there
All along
I go back to Alex’s choosing the rocks over the ladies
As I count days and hours and minutes and seconds
A slow hunger crawl
All fat girl dependence not on
Finger strength and will power but the dorsal strength of a lullaby–
Who knew the bosom of Abraham was the ICU at the Birmingham Children’s Hospital or that anybody could become impatient with the nearly-returned-from-the-grave, this is sleeping beauty territory, he says, so many years after the event, as he stays with me through the insomniac watches of the night. You see only a muted scrim at first, but later you see so much more, the way time can be a tomb, and you in it, Lazarus,
It is He who always has
Walked in and out of these rooms with me
Delivering Light
The bowls, cups, and occasional ramekins return my level gaze. All damaged, we regard each other warily–the gash, the chipped and missing pieces, the jagged edges
Make us all precipitous,
Weepy as we
search for impossible answers for
Broken
How do atheists turf their ghosts? Wispy girls, long gone, in their place, algorithms, aggregates, the trees were old back when we were young, how wise they will be when we have left this place.
Who will bear the children of the dead? Who will tell the grown man
How pretty, how young you looked in your operatic yukata, how many letters have been written for you, all for you
Careful, I say, careful.
measure out impossible prayers to a Most Evident God
As though they were
Leaves caught in the wind
Could be a lost child or the appearance of a tear in ordinary fabric. Could be the silence of the resurrected or the name of a wildflower on the back of a bus, here today and gone tomorrow no recorded words, no age, no cause of death, just a suddenly re-spooling life
As though you could call what we do here spooling,
as though any word at all could substitute for resurrection.
The Calhoun County Courthouse is a mausoleal mid-century modernist confection, the juvenile detention courtroom then a windowless (Chinese) box on its second floor.
Perhaps I am biased. I remember envying the parents whose kid had gone on a wild joyride and the various parents of pot sellers and users.
I remember thinking the local Baptist pastor who was there for jury duty was a harbinger of God as I spilled out
The terrible story of why I was there.
Which had to be after the judge used the shade of our old oak tree for his big white truck. After his lawyer son stood across the street, bemused as Mary, on the roof, hurled her salty invectives at me.
After the juvenile probation chief told us they would not hold Charles forever and I thought to myself as I looked at him, (what do you have to do in the state of Texas to get yourself thrown in prison?!)
They say there is a library somewhere, an Ivy League kind of library, which has thin panels of white stone from floor to ceiling.
The light diffused through the thin white stone, perhaps to show-off or to shield the books.
I have searched for it for years, can’t find it
So much like a pearl, mother-of-pearl, an alabaster jar
Full of the most unmistakably broken
Perfume.
I go to the stone lions, lean my head against their solid, immovable weight. I tell them the things one might tell a friend–stretches of fatigue and loneliness, grim sorties in search of solace in strange and blasted places, words for anger, stones for real
Children who cry out
Hosanna! Hosanna! Blessed is He who comes
In the name of the Lord!
-Luke 19:40
They don’t tell you that solitude can be a weapon, a way of making a body feel it must just be me when there were signs all along that
The contest was never what it seemed to be
Resembling a stock show more than a beauty contest
Told to line up
The hand-picked female handler writes numbers in permanent marker
on our haunches
And maybe don’t question too much what the girl in the high heels, glitter, push-up top
Is doing giving free twerking lessons
To doe-eyed coeds
And a heifer like me
Careful to keep my cloven hooves
And rising ire
Under wraps
I see the child, backlit by this extraordinary light, and because I lost you I know the kind of pain
Can come with a picture when the child is gone
I will always
Love you, child
No matter how Minotaur you make me
In this labyrinth
I have learned to
call home