Dear Sir,

Imagine the mountains

you would move to save

The one you loved

then switch

to the hills you might shift

for someone you were

merely fond of

then calculate the dirt

in disheveled piles

you might consider

scooping here to there

for a stranger

then last of all take this into account:

all real love stories are also physics problems

Either stones rolled in place over deliberate tombs

or somehow, miraculously

Rolled away.

Sleeping Beauty and the treachery of images

they say her dress

obscured her face when they found her in the river

he as young as his eventual wife would be

when she went from girl to muse

muse is a tricky thing, Child

who never was a pipe

I inventory both the cause and the cure for addiction

The need, the proper remedy, the clouds white amidst blue in the cup of your head

Chose a different slumber

Not opioid, not heroin, not poison in the fruit or spindle, not locked in a room, not guarded by dragon

Medicinal sleep

Antiseptic reset, white coats, gently beeping monitors

Let the girl rest

Let her own dreams fell the dragon

So that when the spell is broken 

The clouds and sky will spill out over her

Beautiful, fragile babies

What if this is the real world?

what if this is the real world?

what if you are the ghost?

what if it is your own child

you see in the sudden picture 

on the other side of the scrim 

Holding 

worlds both together and apart

You do the math when 

you see her–how old she 

was, is, will be

If she makes it that far

Refrain in your head thudding 

like fists on plate glass

because you are the ghost

voice thin and impossible

just the other side of glass

as you watch her slowly 

slip away.

Brace yourself

Comfort girl myself

I rifle through the postcards from

The places you have been 

Looking for things you loved

Always people, always broken 

Then strain to hear your voice 

As you tell them about the Luke 13 people

All dead, all tragic until you

direct our eyes into the deep

Pool of Siloam, reflected the tower before it fell?

Did the blind man know it was there before he could

See you standing there

Across the street from all my loneliness

Beckon me come close

Brace yourself, Love

Missing Juan Cazorla

on the day I tell my daughter it is 

mourning dove with a “u”

I remember you are gone

And count the things I used to say

About your father, your brothers

All named the same

(Like all those George Formans)

I still do not 

Know which fight you lost 

Left to

Cut through the jungle path 

To the sea, to the sea serpent country 

where we were young 

all together.

Paper Crowns

Last spring I sheared my own crown, playing both the sheep and the shepherd in a one-woman show about redemption.

The thing is:

You can’t redeem yourself, no matter what lovely poetic last

Name you have been given.

I see the boy you used to be

I see the lost in your eyes

Playing both sheep and shepherd in your own one-man show about…

I will always love you.

Who says that and means it?

Not me.  I am a coward who cannot handle her always

Ten years since he died

And I stand in the dollar store conjuring up themes for a party girl

Bikini contestant party girl

Written in permanent marker

The lost in their eyes, the voice in my head

Man who played both the sheep and the

Shepherd in his own one-man redemption show

Thorns for crowns/ Paper crowns/diadems, tiaras 

For the children we will be

At the wedding feast of the Lamb.

Letter to the boy with the unstoppable heart

Tell the inhabitants of this broke-down place

new sheriff in town…

who so resembles the

wise child posed

Years ago in a picture 

Beneath this ink-blue-night-sky sombrero,

Clark Gable mustache, glint of forever in your eyes

As this endless tide rakes an uneven shore

As words fail to form the adequate cup for sorrow

You go on-

Unstoppable heart.

Boy with the unstoppable 

Heart.

Dissembling Wrong

So close

to a reclusive keeper

of memories, of wrongs

Shuffling among the forgotten objects

Placeholders for the barely living:

anonymous empty

water bottles, hollow and crumpled

Become the jury

Old newspapers still swaddled in

Their plastic rain protectors

Told to be 

Witnesses or spectators

Instructed to rise 

As a one-armed nutcracker assumes the bench

Rag doll court reporter records the proceedings 

Mr. Vinegar prosecutes while

the defense attorney was appointed from among the 

A pantheon of generic

Happy Meal toys.

But the victims are living songbirds

Twittering in the disheveled

cage of my heart of course

Always re-animating  dried bones-

Off-kilter, neglected, wrongs

Will inexorably be

Radically, fundamentally transformed

When the true King

Calls them back

To life

Break-up Songs (for babies)

in the space of no more than

Half-an-hour

someone steals his little shoes

dear to him/dear to us

Still, just shoes.

At the scene of the crime we

Call their names

Thinking whoever did this has to  love them 

Must have loved them

Oh.  This song I know the words by heart

Sang it all those years ago

With all the other sodden

Unbearable

Break up songs for babies.


To the bone

somewhere floating in the ether of souls there is

another us

Without the inevitable entrapment of self-preservation

-The pig mom and the human child

I use my truncated vocal apparatus 

 to try to warn you you are

– not safe here

among the scientists

With their crisp white coats and syllogistic rejoinders

They count pieces of us

Placing animal in one

category 

and the human in another

Bone-bone-bone-

Spleen-heart-cornea-

Never question whether we can

see color or 

Feel pain 

Confined instead to

Diminished souls jarred by

All the words for

monster